top of page
logo green no bg.png
34338d26023e5515f6cc8969aa027bca.gif
original-52942a69850690171972b1444785d9ef.gif

MUSIC PRODUCER AND SOUND DESIGNER.

DANIEL DAHLSTROM

00A01125_edited_edited.jpg

ABOUT ME

■ I’m Daniel Dahlstrom, a UK-born music producer and sound designer based in Brisbane. I create electronic and cinematic music across chillout, lofi, future bass, pop, and drum and bass styles. Starting with guitar just a few years ago, music quickly became my main form of self-expression. With a degree in Electronic Music Production and experience tutoring...

_edited_edited_edited_edited.jpg

artist project

lotra yellow.png

LEARN MORE

cream3.png

subtleties

_edited.jpg

IDYLLIC

Image by Pawel Czerwinski

SELDOM

aaron-burden-Bycd2wF5vQU-unsplash.png

Here is a range of musical compositions I have created over the years

electronic
     compositions

green ice 2.png
Faraway
AdobeStock_968466502.jpeg
Optimism
yuliya-matuzava-_Q24JSxD23Y-unsplash.jpg
Apricate
aaron-burden-Bycd2wF5vQU-unsplash.jpg
Flight
rainbow gradient.png
Momentum
Image by Joel Filipe
Finite
_edited.jpg

ARTIST 
PROJECT

This composition draws inspiration from Japanese noise music, a genre that prioritizes texture and experimental sound over traditional instruments and melodies. Central to this approach is the use of feedback loops, which generate evolving and unpredictable audio patterns.

In this piece, recorded audio was processed in Ableton Live using a sequencer with randomization features. Feedback loops were created by routing the original signal through a return track with audio effects, then sending the processed output back to a separate channel. A limiter was applied to prevent clipping, while gain was carefully adjusted to sustain continuous feedback.

Indeterminacy & Feedback LOOPING

Creative 
sound design

Image by Ricardo Gomez Angel
Image by Ricardo Gomez Angel

This track is inspired by Alvin Lucier’s 1969 sound art piece I’m Sitting in a Room, where he repeatedly recorded his voice played through a speaker, capturing the room’s natural resonant frequencies over time.

For this composition, the process is adapted by using the human body as a resonant chamber. The subject sat with their back against an eight-inch studio monitor, while a dynamic microphone was placed on their chest and stomach to capture the heartbeat. Multiple recordings were layered, revealing increasingly rich and dynamic vibrations as the experiment unfolded.

Heart Beat Resonance

aaron-burden-Bycd2wF5vQU-unsplash_edited.png

cinematic audio

Double edged swords. 

connect

BACK TO TOP

bottom of page